Panasonic’s newest zoom lens, the Lumix S 28-200mm F4-7.1 Macro OIS, covers a range of popular focal lengths for travel photography, so I decided to take it on a recent trip to Japan as my sole travel lens, using it to photograph everything from snow monkeys near Nagano to night scenes in Yokohama.
A couple of notes about this gallery: All the photos were captured using a Panasonic S5IIX camera, a 24MP body, as we’re working on finishing up our review of the S5II and S5IIX, and this was the camera I had with me in Japan. We’ll add photos from a higher-resolution body at a later date. Similarly, we’ll add some macro images to the gallery when we get a chance.
View our Panasonic Lumix S 28-200mm F4-7.1 sample gallery
Note: Please do not reproduce any of these images on a website or any newsletter/magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review); we do so in good faith, so please don’t abuse it.
Gear in this story
The fourth camera in Leica’s SL series of full-frame mirrorless cameras sees the 60MP BSI sensor from the Q3 and M11 models arrive with a significant interface redesign.
The Fujifilm X100VI is the sixth iteration of Fujifilm’s classically-styled large sensor compact. A 40MP X-Trans sensor, in-body stabilization and 6.2K video are among the updates.
The Nikon Zf is a 24MP full-frame mirrorless camera with classic looks that brings significant improvements to Nikon’s mid-price cameras. We just shot a sample reel to get a better feel for its video features and have added our impressions to the review.
This $250 electronic lens adapter is perfect for Nikon Z-mount curious Sony shooters — shhh, we won’t tell anyone.
Sony updates the ZV-1, giving the vlog-centric compact camera a 18-50mm equivalent F1.8-4.0 lens that’s now wide enough for less cramped selfie mode videos.